Saturday, December 5, 2009

Last Chance to See or The Oxford Project

Last Chance to See

Author: Douglas Adams

"Very funny and moving...The glimpses of rare fauna seem to have enlarged [Adams'] thinking, enlivened his world; and so might the animals do for us all, if we were to help them live."
THE WASHINGTON POST BOOK WORLD
Join bestselling author Douglas Adams and zooligist Mark Carwardine as they take off around the world in search of exotic, endangered creatures. Hilarious and poignant--as only Douglas Adams can be--LAST CHANCE TO SEE is an entertaining and arresting odyssey through the Earth's magnificent wildlife galaxy.

School Library Journal

YA-- The BBC asked this team to film some of the most endangered animal species throughout the world. Adams has recorded their adventures seeking the komodo dragon, northern white rhinoceros, mountain gorilla, kakapo, baiji dolphin, and the rodrigues fruit bat. There is biological information here, but it is inaccessible for report writers due to the lack of an index and the wordy descriptions. However, these same accurate portrayals and Adams's entertaining style will expose students to the worlds of these animals. He moves rapidly from informal, laugh-out-loud descriptions of his travels to serious pleas for awareness and conservation of all animals. The full-color photographs are in two separate sections and help readers to visualize the unusual animals (including the authors).-- Claudia Moore, W. T. Woodson High School, Fairfax, VA



Books about: Disney Pixar Cars or Theres No Place like Space All about Our Solar System

The Oxford Project

Author: Peter Feldstein

In 1984, photographer Peter Feldstein set out to photograph every single resident of his town, Oxford, Iowa (pop. 676). He converted an abandoned storefront on Main Street into a makeshift studio and posted fliers inviting people to stop by. At first they trickled in slowly, but in the end, nearly all of Oxford stood before Feldstein's lens. Twenty years later, Feldstein decided to do it again. Only this time he invited writer Stephen G. Bloom to join him, and together they went in search of the same Oxford residents Feldstein had originally shot two decades earlier. Some had moved. Most had stayed. Others had passed away. All were marked by the passage of time.

In a place like Oxford, not only does everyone know everyone else, but also everyone else's brothers, sisters, parents, grandparents, lovers, secrets, failures, dreams, and favorite pot luck recipes. This intricate web of human connections between neighbors friends, and family, is the mainstay of small town American life, a disappearing culture that is unforgettably captured in Feldstein's candid black-and-white portraiture and Bloom's astonishing rural storytelling.

Meet the town auctioneer who fell in love with his wife in high school while ice-skating together on local ponds; his wife who recalls the dress she wore as his prom date over fifty years ago; a retired buck skinner who started a gospel church and awaits the rapture in 2028; the donut baker at the Depot who went from having to be weighed on a livestock scale to losing over 150 pounds with the support of all of Oxford; a twenty-one-year-old man photographed in 1984 as an infant in his father's arms, who has now survived both of his parents due totragedy and illness.

Considered side-by-side, the portraits reveal the inevitable transformations of aging: wider waistlines, wrinkled skin, eyeglasses, and bowed backs. Babies and children have instantly sprouted into young nurses, truck drivers, teachers, and rodeo riders, become Buddhists, racists, democrats, and drug addicts. The courses of lives have been irrevocably altered by deaths, births, marriages, and divorces. Some have lost God--others have found Him. But there are also those for whom it appears time has almost stood still. Kevin Somerville looks eerily identical in his 1984 and 2004 portraits, right down to his worn overalls, shaggy mane, and pale sunglasses. Only the graying of his lumberjack beard gives away the years that have passed.

Face after face, story after story, what quietly emerges is a living composite of a quintessential Midwestern community, told through the words and images of its residents--then and now. In a town where newcomers are recognized by the sound of an
unfamiliar engine idle, The Oxford Project invites you to discover the unexpected details, the heartbreak, and the reality of lives lived on the fringe of our urban culture.

Cheryl Ann Lajos - Library Journal

In this cleverly designed and artfully illustrated publication, artist Feldstein and Bloom (journalism & mass communication, Univ. of Iowa; Postville: A Clash of Cultures in Heartland America) document inhabitants of the small town of Oxford, IA, with more than 300 black-and-white photographic portraits and first-person narratives. Feldstein, who was living in Oxford in 1984, offered to photograph for free all the town's residents; 20 years later, he photographed as many of his previous subjects as he could locate, and Bloom interviewed 100 of the residents. Masterfully and collaboratively conceived, this book consists of demographic, historical, and visual data about Oxford and snapshots of the town's inhabitants in 1984 juxtaposed to those taken in present times, many of which are offset by their stories. Of significance to humanities scholars and social scientists as well as to general readers who may relate to its subjects, this work provides a good glimpse of small-town America but is unlikely to be the most authoritative vision. Accompanying a traveling exhibition to China and Italy, this publication is strongly recommended for many undergraduate academic, large public, and local library collections, particularly those encompassing documentary photography and narrative journalism.



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